Originally Posted by dirty_bass
nay. each kick as you go along.
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Originally Posted by dirty_bass
nay. each kick as you go along.
Try using Native Instuments Battery and layer 3 or 4 kicks together and take different freq ranges from each and use Battery to change em up even more....
then add the compression and maybe a nice clicking sound (from some beefed up highend off a kick-- makes a "click" sound) off the top of each one to REALLY make the kick penetrate....
-j
Most of the time I use sampled kick drums which I compiled from sample CDs and then just layer them (most of the time there's only 2 or 3 kick drums) and mess with the envolopes, eq and compression.
Also, I recently had a play with that Albino softsynth from LinPlug and you can get some really fat sounding kicks from it... definitely worth checking out!
to get the punch.... I run it thru my sonic maximizer, then thru my 163x compressor
ciao
Ian and I punch each other in the chest while recording it. Then we compress and distort the blowz.
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i recently started using a jomox airbase into a tfpro optical compressor, and it sounds waaay fat compaired to anything i've used before. i also run the kick into the sidechain of my bassline compressor, to auto-juggle the low end and keep the kick and bassline from clobbering each other with minimal eqing.
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Already posted my description - not doing it again. :)
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I sometimes drive an old ford transit van, at about 55mph into a large transport container, stored in a particularly large warehouse, fro extra reverb.
Really good for those big booming kicks![]()
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only to realise you forgot to turn your mic onOriginally Posted by dirty_bass
:lol:
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dirty bass :clap:
Is there someone among you who tried the jomox Mbase 01 or other equipment fromfrom jomox?
Power corrupts. Absolute power is kind off neat.
have programmed some mean ass gabba kicks on the supernova.scott brown/nephyte etc type kick drums
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usually i'll use a 909 kick(eq'd very bright) layered with a nice punchy sampled kick, open them up in a reason sampler and split them onto 2 or 3 seperate channels. one of the outputs goes through a malstrom synth (distortion & filter added), the next goes direct to the desk, where it receives the old reverb treatment (pre-fade) and the third is usually compressed and hevy eq'd. this gives me a lovely upfront techno kick. and the differant channels give me full control over whether i want a full on distortion kick or a nice acidy reverb job!![]()
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my kicks are from the airbase.Originally Posted by dulash
I just did the following:
- Thight compression.
- A wide cut between 400 - 900Hz
- Gaining upwards.
Then you'll get a nice deep kick with a soft kind of distortion.
Similar like you hear in all the classic techno / acid music. :)
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Sample it from records.![]()
With a good filter envelope and a parametric EQ you can turn anything into a kickdrum.
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i use the fairchild and the 1176 compressor and the cambridge eq of the uad-1 studio paksometimes the l2
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how many people use reverb on their kicks?
i've been trying out some plate reverb with very short decay. i can tell it's easy to go way wrong this way, but used in small doses it thickens without introducing too much mud.
I experimentated with using reverb on my kicks in the past, but I did't gave me the results I was after.. I never use verb on my kicks nowadays..
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Originally Posted by Evil G
a small bit of reverb on your kick can do wonders to fill out your sound. You dont want to much happening in the 300-500hz area though.g
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i layer at least 2 kix & have them boosted quite far apart i the frequency range.
a real solid mid kick, then a sub kick that i try to keep tigh.
phasing can sometimes occur but it can be removed via eq
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