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  1. #1
    Supreme Freak
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    Sep 2003
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    Edinburgh
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    all i can really say to all this is thank fuk for my record collection....

    mp3 releases just aint cutting it for me just now, sure i get by but its just not
    the same imo...my techno buying frenzy started 10 years ago buying labels like
    punish, hydraulix, stigmata, drumcode, compound, blackout audio etc and probably most
    other loop based tribal bangers....i actually spend more time on discogs adding to this sort
    of collection.

    WHAT THE FUK HAPPENED????

  2. #2
    Junior Freak
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    May 2008
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    Bristol, UK
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    Quote Originally Posted by FuK-NuT View Post
    all i can really say to all this is thank fuk for my record collection....

    mp3 releases just aint cutting it for me just now, sure i get by but its just not
    the same imo...my techno buying frenzy started 10 years ago buying labels like
    punish, hydraulix, stigmata, drumcode, compound, blackout audio etc and probably most
    other loop based tribal bangers....i actually spend more time on discogs adding to this sort
    of collection.

    WHAT THE FUK HAPPENED????
    Hard techno got tarnished with the image of a grimey room full of sweaty blokes thanks to the snidey post-2000 minimal lot trying destroy Techno's popularity and market their scene as a modern, safe and stylish alternative. But what actually happend was that post-2000 minimal music was an inoffensive and accessible format which you could easily sell to anyone and make a heap of cash from. Of course now it's trendy everyone just emulates whoever is popular, and hard techno went back to it's roots in the underground.

  3. #3
    BOA Newbie
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    Aug 2012
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    Quote Originally Posted by qUE View Post
    Hard techno got tarnished with the image of a grimey room full of sweaty blokes thanks to the snidey post-2000 minimal lot trying destroy Techno's popularity and market their scene as a modern, safe and stylish alternative. But what actually happend was that post-2000 minimal music was an inoffensive and accessible format which you could easily sell to anyone and make a heap of cash from. Of course now it's trendy everyone just emulates whoever is popular, and hard techno went back to it's roots in the underground.
    Doe's it even have any life left in the underground?

  4. #4
    Junior Freak
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    May 2008
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    Bristol, UK
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    Uh yeah, there are still plenty of people producing the style so it's very very much alive and kicking.

    I started a group a while back on soundcloud to discover if there was anyone else still making hard industrial techno, and loads of people came out of the woodwork from all over the globe.

  5. #5
    BOA Newbie
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    Quote Originally Posted by qUE View Post
    Uh yeah, there are still plenty of people producing the style so it's very very much alive and kicking.

    I started a group a while back on soundcloud to discover if there was anyone else still making hard industrial techno, and loads of people came out of the woodwork from all over the globe.
    People may be producing it, but the scene in London is very much dead.

  6. #6
    Junior Freak
    Join Date
    May 2008
    Location
    Bristol, UK
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    Quote Originally Posted by Dorris View Post
    People may be producing it, but the scene in London is very much dead.
    If you mean lack of opertunaties for new artists in London you`ve got a couple of factors to take into account. You`re in the capital of the UK, so the population of people is extremely high which works in two ways, you`ve always got someone beating youy to the chase of a gig and you got a vast audience as long as you entice them to listen. Other than that you`ll probably always be met with the sensible advice that if you want a gig, you`ve got to make it happen, book a venue, get mates to play and hammer away at physically promoting what you`re doing, I`ve found out a few times that most people don`t look to the internet for ideas on where to party, word of mouth is king.

  7. #7
    BOA Newbie
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    Quote Originally Posted by qUE View Post
    If you mean lack of opertunaties for new artists in London you`ve got a couple of factors to take into account. You`re in the capital of the UK, so the population of people is extremely high which works in two ways, you`ve always got someone beating youy to the chase of a gig and you got a vast audience as long as you entice them to listen. Other than that you`ll probably always be met with the sensible advice that if you want a gig, you`ve got to make it happen, book a venue, get mates to play and hammer away at physically promoting what you`re doing, I`ve found out a few times that most people don`t look to the internet for ideas on where to party, word of mouth is king.
    There are no good parties in London, full stop. It's over, time to emigrate.

 

 

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