:laughing:Quote:
Originally Posted by eyeswithoutaface
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:laughing:Quote:
Originally Posted by eyeswithoutaface
What am that be calling itself my good man?Quote:
Originally Posted by dirty_bass
I see I have typo there, it was meant to be, 100, 200, 300, 400. Which I think is good as harmonic note is based on what information is in fundamental note. and then it is multipled by 1, 2, 3, etc.Quote:
Originally Posted by Ryuuku
All depends on waveform as dodgy said.
http://en.wikipedia.org/wiki/Overtone
ttQuote:
An 'overtone' is a partial (a "partial wave" or "constituent frequency") that can be either a harmonic or an inharmonic. A harmonic is an integer multiple of the fundamental frequency. An inharmonic overtone is a non-integer multiple of a fundamental frequency.
An example of harmonic overtones: (absolute harmony)
f 440 Hz fundamental tone first harmonic
2f 880 Hz first overtone second harmonic
3f 1320 Hz second overtone third harmonic
4f 1760 Hz third overtone fourth harmonic
Not all overtones are necessarily harmonics, or exact multiples of the fundamental frequency. Some musical instruments produce overtones that are slightly sharper or flatter than the true harmonics. The sharpness or flatness of their overtones is one of the elements that contributes to their unique sound. This also has the effect of making their waveforms not perfectly periodic. Some instruments, such as tuning forks or flutes produce a clear or near perfect sound because their overtones are in very good approximation of "absolute" harmony with the base frequency.
-3dB master would mean export your track so that it peaks at roughly -3dB (meaning you have 3dB of headroom)
Do not normalise or compress\limited the mix before sending to be mastered