its not really like thatlets say fundamental is 100Hz, so I check also 200Hz (1st harmonic), 300Hz (2nd harmonic) 300Hz (3rd harmonic)
the sound scale is not linear
its rather 100, 200, 400, 800, 1600 etc.
some good tips here.
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28-09-2007, 09:35 PM #1Junior Freak
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So. Behind their eyes the hope in them was sickening, and in many, dead. They lived from event to event with a subtle terror of the gap between, filling up their lives with distractions to avoid the emptiness where curiosity should have been, and breathing a gasp of relief when the children passed the point of asking questions about what life was for.
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28-09-2007, 09:53 PM #2BOA Lifetime Member
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Good stuff in here.
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28-09-2007, 10:52 PM #3BOA Mod
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Aye
Originally Posted by Ryuuku
Where the harmonics are depends upon the tpye of waveform used.
within whole tracks it gets a LOT more complex as the harmonics change over time. A lot of fun can be gained by examining a frequency band and viewing what happens with it over a certain time base, then using the EQ to pick a frequency and give it a transient resonant peak over a rhythmic time base.
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28-09-2007, 10:55 PM #4BOA Lifetime Member
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I`ve been using a Beta copy of a new tracking EQ, and so far it`s fairly impressive, it goes some way to assist in the freq changes on instruments that happen in note/key changes. Originally Posted by dodgyedgy
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28-09-2007, 11:40 PM #5BOA Mod
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What am that be calling itself my good man? Originally Posted by dirty_bass
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30-09-2007, 12:15 PM #6BOA Lifetime Member
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I see I have typo there, it was meant to be, 100, 200, 300, 400. Which I think is good as harmonic note is based on what information is in fundamental note. and then it is multipled by 1, 2, 3, etc. Originally Posted by Ryuuku
All depends on waveform as dodgy said.
http://en.wikipedia.org/wiki/OvertoneLast edited by BloodStar; 30-09-2007 at 12:17 PM.
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