awesome!!! <3 <3 <3 techno 4 eva!!!
High Tech Soul – The Creation Of Techno Music
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awesome!!! <3 <3 <3 techno 4 eva!!!
High Tech Soul – The Creation Of Techno Music
That was a great documentary!!! :rubiggrin:
Yeah, dl'd that a few years ago. really good
Just finished watching this now, thanks a lot for posting. Great documentary, but Eddie Folkes seems to have got a bum deal!
really enjoyed that, ta!
jeff mills with braces?
lmao.
aye a know - wonder why he was kinda outed??Quote:
Originally Posted by teknorich
Your welcome! yes it does look like Eddie didn't get the props he deserved! I wonder what happened.Quote:
Originally Posted by teknorich
Yes that is funny to see him with braces after all these years of rockin it out lolQuote:
Originally Posted by blistanbul
Oh shut up, Blis. Why do you have to be a d1ck all the time? You think it's funny to come onto the forum and ruin every thread? What's the point in that? Some of us have been members here for years, and it really p*sses us off to see someone consistently wrecking the place by just posting stupid bullsh*t all the time, in every damn thread, until Blackout is no longer a good place to be. Just knock it off, would you?
If you wanna post here and be a part of things, then you're welcome, but stop ruining it for all of us with this bullsh*t, ok? I'm sick and tired of all the threads here just ending up with you arguing with someone.
Dial it down a few notches!
Just fcking ban him for a week or something, it might just go away on it's own. Worse than Babs...
Personally I would rather spend my time creating Techno and Drum and Bass than argue with anyone. This site is about the music for me.
So, getting back to what's most important here:
Model 500 - No UFOs
:rubiggrin:
Yes nice one! ^
‪Plastikman - Marbles‬‏ - YouTube
One of my all time favourites:
Fast Eddie - Acid Thunder
Sweet!
Another bit of awesomeness :)
‪JOEY BELTRAM energy flash‬‏ - YouTube
with all due respect to belvedere three and their accomplishments can't be overseen but the quality some of their stuff is not what people rate it up to be.
and most of these guys haven't really produced any great tracks recently barring one or two of them.
i would've like to see the documentary focus a little bit more on the second tier guys aka jeff mills, underground resistance but it was a very good documentary nonetheless.
very interesting story.
Out of all those artists in the documentary mentioned ive seen Mills plenty of times, Derrik May twice who was quite good, Robert Hood once who was really tough and was pretty much amazing and prob my favourite was Buzz Goree (sp) who I think was from Underground Resistance, now that boy can mix up the techno and play a good set
Yeah think a follow up documentary on the likes of Mills n Hood who followed in these boyo's steps would prob have been a good idea tbh but to get to see on were it all started was cool as fuuuck! :)
That's the tune that hooked me on techno.Quote:
Originally Posted by Honeey
Special...
so these blokes started techno, this we know.
but were they inadvertently responsible for trance, jungle, drum n bass, and acid?
or no?
i mean of course these guys didn't make trance for example but if they hadn't existed then all the other variations of dance music wouldn't have happened?
just a food for thought.
Agreed about the documentary. It is very interesting to see where it all started, but all documentaries I've seen always just focus on the very beginnings, not what came after. It would be great to see a documentary focus on how Techno crossed over to Europe from the states. Created in the USA, established in Europe ;-)Quote:
Originally Posted by blistanbul
If anyone's interested, this book is pretty cool:
Energy Flash: A Journey Through Rave Music and Dance Culture: Amazon.co.uk: Simon Reynolds: Books
It all pretty much started with house
it's kind of weird.
how far do you go back?
i mean i can see kraftwerk having a greater impact on electronic music than the inventors of Detroit techno in terms of output but having said that these three artists (atkins, may, saunderson) had more of an affect in terms of djing aspects and making the music more established and taking it to another variation.
a comprehensive look at the origins and subgenres of techno music:
Ishkur's Guide to Electronic Music | New Home on Techno.org
this chart is great and always has been.
why is the music on that chart that i've posted is a lot more better quality than the youtube links of the same songs?
yes and no. cosmic cars (first detroit techno track) precedes on and on (first chicago house track) by 2 years.Quote:
Originally Posted by force
but chicago house was way more developed, and had a much bigger following, in the 80s than detroit techno.
Out of interest, why do you consider Cosmic Cars by Cybotron to be the first Detroit Techno track, and not Alleys of your Mind, which was the first record by the same artist?
i stand corrected. you're right: that's 1981, a whole 3 years before on and on, and a year before cosmic cars.
just underscores the point though!
This documentary is the most extensive I have found! VERY good! Goes through the VERY disco beginnings at the paradise Garage in New York through the summer of love and everything. 3 parts 3 hours well worth the watch!! Inspiring!
‪Pump Up The Volume - Part 1 - The History Of House Music‬‏ - YouTube
‪Pump Up The Volume - Part 2 - The History Of House Music‬‏ - YouTube
‪Pump Up The Volume - Part 3 - The History Of House Music‬‏ - YouTube
Enjoy!
sorry guys what difference does it make?Quote:
Originally Posted by SlavikSvensk
it just sounds like kraftwerk.
if you argue that then surely kraftwerk are the inventors of techno music who made similar music years before those releases.
tsk tsk time to go back to the history books. kraftwerk was probably the single biggest influence on techno, and the single most imporant precursor to techno for its originators. but cybotron no more sounds "just like kraftwerk" than chuck berry sounds "just like cab caloway." nor, for that matter, was kraftwerk at the vanguard of a specific, local music movement--like both chuck berry and cybotron were. this is how musicologists date the start of things.
http://www.youtube.com/watch?v=Tccgy...eature=relatedQuote:
Originally Posted by SlavikSvensk
come on mate this sounds so much like kraftwerk, call an ace an ace.....
now model 500 that does sound something bit more different.
this also reminds me I wonder how many techno elites would actually like a techno-pop songs like goodlife and big fun if it was released today?
or a piano-laden house tune like strings of life?
yes these songs changed the shape of the music forever and enough respects to all those who helped paved the way, but it does make me wonder.
we should also mention producers like giorgio moroder who brought a VAST template for the future electronic music producers including many techno artists.
saying it sounds "just like kraftwerk" is missing the point. it sounds heavily influenced by kraftwerk, but it also sounds like all the other things atkins and davis were listening to: moroder, human league, neu, p-funk, etc. as well as kraftwerk.
all of those were vital to the creation and evolution of techno. but none of those were the first releases OF techno. this is musicology 101: you might say kraftwerk were, and are, techno's godfathers, or that techno is kraftwerk's spiritual descendent...but cybotron was the first techno group, responsible for the first releases of the musical style, from the musical scene, for which the term techno emerged to describe.
In early Drum & Bass, the "Reese" bassline was a massive part of things, and it comes from Kevin "Reese" Saunderson:
Renegade feat. Ray Keith's Terrorist sample of Reese's Just Want Another Chance | WhoSampled
dubstepforum.com • View topic - [Production Bible 2] The Reese Bass
The artists who created Drum & Bass were clearly heavily influenced by Kevin Saunderson's House/Techno basslines, and twisted, adapted, developed them into their new sound, but does that mean that Kevin Saunderson invented Drum & Bass? Nope!
Any new genre comes about from artists being influenced by music which already exists, and then changing it, morphing it, adding their own sounds, elements and styles to it until a new creature is born. In the same way that Saunderson clearly influenced the development of Drum & bass and it's signature bassline sounds, but did not invent the genre himself, Kraftwerk clearly influenced Techno artists, but did not invent Techno themselves.
thanks Teknorich for the information on the reese bassline! Kevin "Reese" Saunderson that's awesome. drum and bass is my second love to techno it's good to know the connections :)
it's interesting looking back at those early days. today we're used to thinking of techno and house as concrete styles, with easily distinguishable sounds, aesthetics, bpms, etc.
but back then it was much more fluid and ambiguous. really the main things that differentiated house from techno were location(one was from chicago and the other from detroit) and attitude (techno producers had more of an intellectual approach, while house was more self-consciously hedonistic). those lineages are still apparent today, though we can go back and say that there's as much trax records in today's techno as transmat.
i like the history of house and that techno documentary (house one was better tho)
derrick may needs to take a chill pill
i thought it was funny seeing richie hawtin getting slagged off in the same documentary that he was featured in tbh.
any good records by the founders of techno nowadays?
i know detroit still has a strong following but more in the names of Jeff Mills, Omar S and Robert Hood.
any detroit recommendations matter of fact would be appreciated.
special sets, dvds, lps, etc.
There is a hidden path where a lot of us find our roots.
throbbing gristle - hot on the heels of love 1979 - YouTube 1979
Throbbing Gristle - What a Day - YouTube
1979
Liaisons Dangereuses - Los Ninos Del Parque - YouTube 1981 as sampled by Carl Craig and others
SPK - Day of Pigs - YouTube recorded 81
And it isn`t in Detroit.
This is more of a root of the textural, abstract, dark side of techno, that is seeing a particular (albeit very bland) resurgence from the post Berghein/Minimal side of techno, but can be traced back to early surgeon, regis, obscurum etc
Thanks for posting those links. I've heard people mention Throbbing Gristle, but I'd never heard any of their music. The links you put up surprise me tbh; I didn't realise that people were making music like that so far back. "What a day" is so dark, twisted and electronic!