You can do the same with midi patterns and varying velocity. But why bother? abl is the shit.
This is the abl. If abl isnt good enough for you, nothing will be.
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You can do the same with midi patterns and varying velocity. But why bother? abl is the shit.
This is the abl. If abl isnt good enough for you, nothing will be.
Last edited by AcidTrash; 23-04-2008 at 07:58 PM.
sorry mate i have to say you are way off the mark if you think the ABL can totally replace the real thing.
it's pretty good for sure
but the real thing still has that edge especially at high resonance settings, at least to my ears it does.
and i disagree with the shitty distortion / crappy desk argument too
it's still analogue mate and some things just sound better than others.
put the real thing through the mackie and hey presto !
love your mum
sorry but i totally agree with d the d. abl is good but if you really do know the true sound of the tb-303, you'll notice a difference - especially if you use shitty batteries in it. just my 2 cents :)
with reguards to hardware clones,what is the general thoughts on the futureretro revolution? Here's a little video comparing it to a tb 303
http://www.youtube.com/watch?v=SkALw...eature=related
I have near as dammit the real thing and "that sound" is totally achievable with the inbuilt foldback distortion on ABL (with added after effects). In many respects this analogue solutions TBX303 thing is even more versatile for an analogue acid box and I still wouldn't go to the effort of plugging it in for Skankadelic style or hard dance style acidlines.
If you want that hyper psychedelic hi res sound with hi mod, sure I take my hat off to analogue but soon as you mix it down into a track it really doesn't add much. I only really notice "that sound" when it's playing live but then I'm betting that if I spent as much time with phoscyon as I have with this and other emulators I could produce a track even you wouldn't know for sure.
You mean to tell me after near two decades of being a travelling DJ you still have that hearing range? ;)it's pretty good for sure
but the real thing still has that edge especially at high resonance settings, at least to my ears it does.
But once it's recorded it's then digital so it's a pretty redundant argument, no? Unless you're maintaining analogue purity throughout or very high quality 24bit recording, which incidentally will not burn onto CD at that rate.and i disagree with the shitty distortion / crappy desk argument too
it's still analogue mate and some things just sound better than others. put the real thing through the mackie and hey presto !
I really notice the difference in sound from all analogue live sets the likes of eggybamyasi and hardfloor but I'm still gonna go out there and say, sound quality aside, it still sounds ameteurish and not nealy as dynamic as the latter day acid techno. In my humblest opinion.
But then like all things, it really does depend on what you're trying to achieve. I couldn't get the ABL to replicate say Lock or International rescue but I can't get this clone to either. Hell, I can't even get this thing sounding the same twice. I suppose that is the merit of having one but it''s damn annoying if you find something and want to revisit it.
Last edited by AcidTrash; 24-04-2008 at 12:17 PM.
wrong mate, you can't do the same with midi patterns and varying velocity
well i can't at any rate
believe me i tried for eight or so years and just got stiff acid lines
then worked with mik cree who can program 303 lines into the sequencer and realised that was the way to get slick slidin lines
eventually got into programmin the internal sequencer on audio realism bassline and all of a sudden slippin slidin acid was at my fingertips
suck my tiny brain
yeah it's the sequencer really that does the trick
i just got that phosycon one now , it's not bad either
love your mum