Well, my post was strictly to get some idea of what's happening in the underground scene. I had the fortune to attend a few London underground parties in the early 2000s when the sound was dark as ****, and even then something felt... off. I was pilled up like everyone, but that did not hide the reality of shady-looking people snorting stuff in the dark corners. So naturally I'm very curious what form the parties have taken now that acid has withered, MP3s are dominating, etc.. And I was also curious about the political angle because there seems to be so much globally that should have people angry and ready to make hard dance music. Instead, we get a never ending sea of "minimal" tunes to make us choochoo around the dancefloor and ponder the make of our cars.

Re: your (and the other dons) output, I stopped expecting you to churn out 303 tracks ages ago. I think an artist's enthusiasm for their music can be heard quite easily in the tunes, so it's best to move on when you've lost that spark for a given sound. What surprises me is that there has been no real hotbed of acid techno since you guys did it from the mid-90s to the early-00s. I fully expected that other British producers would have stepped in and become part of your crew, maybe taken up the reigns. But perhaps acid techno really is dead for the time being, and there aren't any people willing to invest on the level you all did.

I really want to take a crack at producing some tracks, as I have a pretty clear idea of a different direction I could take, but I lack the resources right now. Maybe part of the new acid techno philosophy would be the exploitation of software production in order to get back to that DIY mindset. Because I certainly cannot afford vintage synths right now. Our economy is ****ed, so pricey gear is bottom of the list.

I guess you all set the bar so high that it has made it difficult for others to carry on. Definitely a unique period in dance music that you all led.