allo mate
great ideas in this, loving all the weird glitchy biziniz
Nice smooth sub sounds as well.

Kick is weird though, far too high and doesn't have any thump. Is it a sampled kick or a drum synth?
The sub could do with some growl and less verb, pull it forward in the mix more.

Elements don't quite seem to be gelling together, might be due to where they've been positioned in the mix. kick is uber prominant because its mono and very high pitch, then the glitchy bits are panned quite hard and sit back due to the glitch and verb and behind them is the bass which sounds like its moving around the stereo field a bit.

I'm guessing you like the glitchy bizniz? Its wicked work mate. I'd use less reverb though, it washes it out a bit and makes it sound a bit muted. Verb takes the edge of sounds like that and muddies up their stark glitchy qualities if too much gets used. Are you using the verbs as inserts? If you are I reckon it woudl be better used on a send, keep a dry version of the glitching, then use sends to bang in verb now and again. The use of verbs sounds a bit static - like its permanently set on the same setting all the way through.

I'd scrap that kick altogether. Have you got drumatik? Thats great for designing kicks, you could build a nice thumping kick with plenty of sub to cleave through all that glitchy loveliness.

Sub I'd keep more in mono, anything that low down makes trouble if its allowed to wander around the stereo field. Rigs don't like it and it can sound a bit weird listening to it. One way to get round that is to make some layers - a super deep sub tone beefing away in mono, and then another layer of higher frequencies with more harmonics that can more around a bit. Also nice to grind the higher frequencies up a bit, that way you feel the impact of the bass whilst still getting to hear the melodic content.

Nice work man, looking forward to the next cut.