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im going to throw in my two sense for what its worth! :mrmyagi:
I was virgin enough to not know what the feck acid techno was, when i was first introduced to dance music, i just went out and bought what i liked. It meant that I ended up with chunky house, Mauro Picotto on a techno tip, Cluster records that wonked the shit out of itself, aswell as loads of other banging shit.
I dint know the name for it, but i knew i liked it... each track had something fresh from the last which made it stand out from all the rest, and i think thats where Dirty Bass's point is coming from.
So much stuff... as much as it is a good tune, that will make the heads bop on a dance floor, is just revisiting old ground! Good ground, but old ground ye know? And punters, be it vinyl buyers or whtever, listen might listen to a record and say... "nice tune, but i have 50 like it at home", its what i say when im buying records.
Im not aiming this at acid techno btw, coz if that old Cluster shit is acid techno, then i love acid techno... this is music all over, but it has a distinct resonance in techno and similar styles, due to the nature of the market
but i know you lads are well able come up with the goods ;) you never know i might come up with some acid stuff one of these days!!
[QUOTE=stjohn;507630]So much stuff... as much as it is a good tune, that will make the heads bop on a dance floor, is just revisiting old ground! Good ground, but old ground ye know? And punters, be it vinyl buyers or whtever, listen might listen to a record and say... "nice tune, but i have 50 like it at home", its what i say when im buying records.QUOTE]
Totally agree with that
i guess it depends where your coming from...
...if your the record buying "punter" then you are generally expecting fresh, good quality tunes, that push the boundaries.
...the record buying "punter" then will either remain a record buying
audiophile or have aspirations to become a dj or a producer...
...if your the producer (and i think theres 2 types)...
1) The "career" producer...he follows the current trends and
genres closely and writes music from the heart but with a
consumer friendly sound...hoping to sell his music and
earn a living from it...he supplies the record buying "punter"
and the dj's.
2) The "artist" producer...he ignores the latest trends and genres
and spends his hours in the studio writing music he enjoys
listening to aswell as playing...developing his sound...usually
being skint...and eating fishfingers from netto!
...The big question is...who will continue to produce for the longest
and who will get the most pleasure from his art???
...im sort of in a dilema...because i love writing my music and developing my sound...but in the "real" world where money is everything and rent has to be payed...its tough....i want to play as many gigs as possible and travel the world doing it if possible...but in reality, you aint gonna get a gig unless you release some vinyl...which is where the problem comes in....do i write a few tracks that i know will sell....but wont be true to what i enjoy writing,sort of selling out....or do i continue doing what i do and hope that what im doing catches on and starts to sell???
Do what thou will...if you know what i mean?
Nothing is gauranteed to sell these days, so don`t bother trying to sell out, and besides from what I hear of you stuff, it`s perfectly marketable party music.
Stop being a prat, send out some demos, or release it yourself.
And this is the last time I`m gonna say that.
Solitary by nature.
Isolation is the gift.
Does anyone have courage to stand apart any more?
myspace.com/dirtybassgrooves
http://www.myspace.com/dirtybassvoidloss
http://www.subgenius.com
yeah man, get it out there, send it out, start a label, do what ever, let people hear and play your music.....your music fvckin rocks man!!
Be Lucky!
In the words of the famous Phones 4U advert....
"Lets hit the road Billy Boy..."
"YEAH... YEAH!!" lol :cheese: