clones 10 - ooops.. who didnt clear that sample!!!

[A.P.]

F**k Hawtin.
It's the f**king underground scene, "do what ya want", "sample what ya want" an "play what ya want".

Get on with it and stop f**king moaning!

[eyeswithoutaface]

F**k Hawtin.
It's the f**king underground scene, "do what ya want", "sample what ya want" an "play what ya want".

Get on with it and stop f**king moaning!

haha, yeah, that's easily said and done when your at the level the likes of ourselves are at, but like i said in my post, you have to see this from the person involveds point of view. The difference between the actual business incentives involved in what the likes of Hawtin and company do/play/release and the likes of ourselves is to be fair, insane. With the releases in question, your talking thousands of dollars. No one would let that go if it was happening to them, that includes me and you also.

@ baz haha yeah, i know what you mean, but maybe he doesnt think Clones is a decent label, and like i say, the tracks in question will have and still could probably quite easily generate him a few thousand dollars or more, i know i would certainly do the same

[Microdot]

F**k Hawtin.
It's the f**king underground scene, "do what ya want", "sample what ya want" an "play what ya want".

Get on with it and stop f**king moaning!

word. that's the truth right there.
its worth remembering that on Substance Abuse, Hawtin's finest track by some distance, he himself sampled a vocal from Mr. Kirk's Nightmare by 4 Hero, which in turn was sampled from elsewhere.
there is no way on earth that Hawtin cleared that sample, and probably still hasn't to this day.

this is the underground motherfcukers, catch me if you can....

if someone sampled my shit and was making a whole load of money from it, I'd want my cut. but the record we're talking about here is a techno record so there's very little chance whoever's made it has made more than a couple of hundred quid from it.